On June 7th at SUBculture Saturday’s we gettin’ CRUNK!
Digital Motion Events and INEO studios are proud to present
The King of self-invented Acid Crunk, a bass music hybrid style of trap, glitch and other influences, is making his way for his first solo Vancouver performance in years. An-Ten-Nae is fresh off a slew of appearances, which not only included performances as his solo alias, but also his group Lowriderz and he is primed and ready for his biggest and crunkest showcase in Vancity yet.
– BIO –
An*Ten*Nae is one of San Franciscos most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways seldom heard. This sound is called Acid Crunk, and there are no rules, no restraints in its quest for pure BASS devastation.
An*Ten*Nae is a low frequency emitter transmitting and remixing music on the fly, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His Genre bending, Acid Crunk compilations have set the standard and has defined an era with over 1,000,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 maintained the # 1 seller in Dubstep, Electronica and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as rocking the charts on iTunes, Juno Digital and a host of other sites. With an album in the works and the ever growing Acid Crunk series running at full steam, we see no end in site for the ever changing chameleon known as An*Ten*Nae.
w/ PIGEON HOLE – Vancouver Island, BC
Hip Hop / Electronic / Experimental
Pigeon Hole are two Vancouver Island based producer/mc/dj’s with a constant evolving sound and ability to crank out next level music. Their output as members of Sweatshop Union is evidence of leaps in style, delivery and approach from album to album.
In 2010, Pigeon Hole released their critically acclaimed debut LP, Age Like Astronauts. Using the MPC 2000, they pieced together a mix of samples, analogue synths, live instruments, and sharp lyricism – their debut outing spoke to listeners from the opening note to its final fade out.
Trading in their original blueprint for a heavier bass-driven electronic sound, Pigeon Hole attack with all new artillery. Chimp Blood, their newest album, thrashes over a foundation of grimey synths, sampled and chopped over machine gun drum programming, 808s, and massive bass.
w/ support from
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