Eoto with Bluetech

 
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Eoto with Bluetech Details

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Eoto with Bluetech

Eoto
As electronic influences continue to penetrate the live rock, jazz, and jam ethos, one band consistently rises to the top, bringing together fans from across the musical spectrum. EOTO crisscrosses the country blowing out basement dives, packed theaters, and stages under the stars. Check your festival schedules: this 100% improvised dubstep/breakbeat/house/drum & bass/trip-hop duo is the premier late-night party in the country. Throbbing bass and thudding beats are the signatures of this project from drummers Michael Travis and Jason Hann. Born out of their shared love of electronic dance music, EOTO’s M.O. is to take the free-wheeling party vibe of a DJ set to the next level by using organic instruments, innovative performance technology, and uncharted musical exploration. Live drums, guitars, and keys, and vocals are mixed, remixed, and sampled on the fly using cutting-edge programs. This is all done without a script, and without a net.

Hann plays a hyper EQ’d drumkit, chock full of multi-touch screens and MIDI controllers, and throws a number of effects on his otherworldly vocal styles. Travis takes on subsonic frequencies, generating the band’s crushing low end with analog, digital, and software synthesizers, occasionally picking up guitar or a bass guitar and showing off his proficiency with instruments of all shapes and sizes.

Bluetech
Burrowing into liminal space, that forgotten zone between the organic and the inorganic, reality and surreality, that’s the place Bluetech calls home. Boundless cosmic beats stretch out across sprawling ambient soundscapes. Melodic strings pluck and shimmer; echoing voices expand and contract over the electronic landscape. You can’t pin down Evan Bartholomew, and there’s no sense trying.

Over a decade of releases has brought Bluetech’s music to fans of downtempo, future bass, and progressive electronic music, rife with emotional intent, and polyrhythmic percussion. From his homebase in the far-flung islands of Hawai’i, Bartholomew transcends the constructs normally associated with a calculated “electronic artist,” pursuing music with meaning and purpose. Choosing to spend his off-stage time meticulously tweaking precision productions, building the solar-powered studio of his dreams, running his music and arts webzine Nomadculture.net, or putting in time on his Critical Beats imprint—dedicated to preserving and protecting Earth’s remaining rainforests—Evan shirks preconceptions of fellow superstar producers.

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