Fucked Up with Alvvays Details
Fucked Up with Alvvays
Fucked Up are a punk band. They were a punk band when they started in Toronto more than a decade ago, and they’ve remained a punk band even as they’ve ascended to career heights that their younger selves never could’ve imagined. But how do you remain a punk band when you’re on magazine covers, or sharing stadium stages with the Foo Fighters? How do you stay true to your 15-year-old self when you’ve got a career to maintain, and families to support Those are the questions that Fucked Up asks on Glass Boys. And they ask those questions in the form of a blazing, titanic, ultimately triumphant rock album.
The last two Fucked Up albums were sweeping, defining, monolithic gestures. On 2008’s The Chemistry Of Common Life, they tested hardcore’s capacity for stylistic innovation, for seven-minute songs and unconventional arrangements, and they won Canada’s prestigious Polaris Music Prize in the process. With 2011’s David Comes To Life, they offered up a full-blown rock opera, coming with one larger-than-life hook after another, and that made them even bigger, and further away from the Toronto hardcore scene that nurtured them. Glass Boys isn’t a retrenchment or a back-to-basics move; it’s too ambitious and complex for that. But after those last two albums, it’s tight and concise and direct, an album of real and direct sentiment rather than artifice.