Pallbearer

 
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Pallbearer Details

Lee’s Palace Presents
Pallbearer
Tombs, Vattnet Viskar

It is 2014, and on August 19th, two years on from the release of their seminal debut LP Sorrow and Extinction, Pallbearer will unleash the most powerful and engaging chapter in their story thus far; Foundations of Burden – a triumph for the Arkansas natives in that each song sees the band shaping their own musical paradigm unfettered by the confines of heavy metal and indisputably setting an unparalleled standard for those that follow in its wake.

Produced and mixed by Billy Anderson (Sleep, etc) in Portland, OR in the late winter of this year, the album evokes a sonic consciousness of melodic complexity with each song carrying a weight of melancholic devastation that sees Pallbearer forging it’s own brilliantly desolate path that, while firmly rooted in heavy metal, reaches far beyond any genre dynamic by crafting music that seeks to balance itself at the very threshold of an unforgiving void.

Tombs
TOMBS tap into the infinite well of emotion and expression on their astounding new full-length Path of Totality. Recorded by John Congleton (Baroness, Explosions in the Sky), Path of Totality is a massive step forward in songwriting and scope for the trio. Path of Totality finds TOMBS achieving what their previous recordings had always hinted at – an ultimately heavy and nuanced fusion of their disparate influences.

Vattnet Viskar
Hailing from the small town of Plaistow, New Hampshire, VATTNET VISKAR is anything but small. Formed in the fall of 2010, the band has quickly risen amongst the ranks of US black metal acts.

VATTNET VISKAR’s brooding take on blackened atmospheric doom metal perfectly mirrors their organic approach to their craft. Following a well received two-song demo in 2011, they have released a self-titled EP, available at their Bandcamp page, that has been met with praise from both fans and the press alike. “On their debut EP…they had me hooked in a matter of seconds and salivating by the end of its 27 minutes.

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